– Perri Nemiroff, Two employees (Sara Paxton and Pat Healy) spend their final days working at the soon-to-be torn-down Yankee Pedlar Inn attempting to find proof of the ghosts and angry spirits who haunt its hallways and rooms. – Chris Cabin. Pin. From The Devil's Rejects to High Tension, the slasher film has been turned on its head, presenting evil as something truly frightening instead of just an excuse to throw blood and guts at the screen. Now, we’re just as likely to consume film from the comfort of our own homes through streaming platforms or digital rentals, if not more so, as we are to have the traditional theatrical experience. Gorgeously shot in a palette of blood red and ice blue, fearlessly acted by all involved, I Saw the Devil is an unflinching deep dive into the most inhuman elements of human nature. Tweet. Horror films are rarely as atmospheric and emotionally resonant as Let the Right One In is, and the chances of the remake being as acutely expressive of adolescent sexuality and the eerie first pangs of love were next to zero. Blue Ruin (2013) Far removed from the tragic cool of hep cats like Robert Mitchum and Humphrey Bogart, Blue Ruin anti-hero Dwight Evans (Macon Blair) is an overqualified loser. In a subversion of its usual role in horror, here heavy metal is a savior for the struggling artist tempted by the demonic force inhabiting his family’s new home. – Chris Cabin, Sinister is the first horror movie in a long time to really get under my skin. Her emotional journey moves at a brisk speed, punctuated by euphoric triumph and moments of stark terror. In the age of the sequel, it’s easy to forget how many great original movies have come along this decade. Flip . Horror movies in the Public Domain, free to watch. Simple as that. Enter Mike Flanagan, who transformed an impossible-to-adapt novel into a compelling psychological and visceral horror movie. – Chris Cabin, Few directors have had as much fun with death and destruction as the prolific Shion Sono has. Working off a script from regular collaborator Simon Barrett, Wingard spins this blood-soaked night of horrors into a not-so-quietly satirical look at the fears of the wealthy, and also pokes more than a little fun at the mumblecore movement, with memorable American-indie character actors like Joe Swanberg, Kate Lyn Sheil, Amy Seimetz, and AJ Bower gamily taking their hits. At least, that’s what it felt like in the 2010s: Your straight-up, stupid slapstick comedy may have gone the way of the Marx Brothers, but it seemed like every drama, superhero movie, and horror flick couldn’t help injecting in some levity and jokes. that become the implements and enablers of these murders. – Perri Nemiroff, Maniac is a grimy, grindhouse splatterfest updated for a new generation. The movie is brimming with clever and wickedly entertaining genre references, but Joss Whedon and Drew Goddard don’t stop there. Obsessed with getting his career back on track, he decides to fully immerse himself in the work and has his family move into the exact house where the murders happened. Thanks to an ingenious core concept, Cabin in the Woods lets you have loads of fun with familiar situations, victims and creatures, but also lets you indulge and appreciate them in a whole new way - like all at once in an elevator bank for example. In reverse chronological order and purely subjective. The go-to source for comic book and superhero movie fans. Writer-director Jorge Michel Grau works an empathetic perspective on these meat-eaters but doesn't skimp on the grisly details, which grow to a skin-crawling, bloody climax and a haunting final shot. From monsters and slashers to haunted hotels, here are the best horror movies to watch right now . Covering the hottest movie and TV topics that fans want. Joe Cornish’s first go behind the lens tells what happens when a group of teenage thugs come to learn that the earth is being attacked by “gorilla wolf motherfuckers” and take it upon themselves to defend their London tower block. After raking in nearly $50 million at the box office, scoring a 99% on Rotten Tomatoes, and appearing on many "best horror of 2016" lists, is it any wonder that Ridley Scott is chomping at the bit to do an English re-make of South Korean horror film, The Wailing? That’s not to say it isn’t terrifying, though: At a hefty 155 minutes, this Dantesque dissertation on the serialized depravity of its lead character — and our own carnal obsessions with his every move — refuses to pull its punches. Revisiting 'Sense & Sensibility,' 'Crouching Tiger, Hidden Dragon,' & 'Brokeback Mountain', 'Mank' Actor Tom Pelphrey on His 90-Minute Zoom Audition with David Fincher, The Best Arnold Schwarzenegger Comedies, Ranked, The 19 Best Classic Movies on Movies Anywhere for a Nostalgic Throwback, Olivia Cooke on 'Sound of Metal,' Capturing the Magic of Live Music, and Bleaching Her Eyebrows. Not just an expert homage to the likes of Val Lewton and the great Jacques Tournier, Shutter Island counts as the most audacious experiment yet from Martin Scorsese, and arguably his most challenging film since the hugely under-appreciated Bringing Out the Dead. Brent respectfully declines her offer, but that doesn’t stop her and her father from throwing their own private party, tying Brent to a chair and forcing him to be the guest of honor. As Nina’s madness consumes her, it manifests itself on screen as reality buckles in a series of disturbing imagery. Even though the decade is drawing to a close, for the horror genre, it feels like a new dawn. Directors like Wes Craven and John Carpenter emblemized this kind of thinking in the 1980s and early 90s, but the scene exploded with the advent of digital filmmaking in the oughts and, soon enough, the market was flooded with…well, mostly junk. The Skin I Live In thrives by it’s writhing narrative of twists and turns, so plot is best left out of any summary, but in brief, Robert is a world-renown plastic surgeon obsessed with inventing a new, indestructible type of human skin after his wife burned alive in a car crash. And yet, at the same time, a slew of smart, young filmmakers used the freedom that digital allowed to start making films of astonishing ferocity and intimate detail, as much in horror as in drama, comedies, musicals, or film noirs. Tumultuous times call for provocative movies that explore our deepest, darkest fears through the safety of our seats, and audiences have craved scares on the big screen these past 10 years like no other. Byrne creates a feeling of unease and a haunting atmosphere that requires the viewer to fill in the rest of the blanks, but the film’s biggest asset is its impressive character development. Director Matt Reeves makes the death set-pieces similarly tense and poetic, with plenty of sanguine confetti, but he also finds a distinct personal rhythm, both in the editing and the storytelling, to make Let Me In completely his own, infused with small but telling 1980s totems and built on its own feelings of melancholy, yearning, and seething repression. – Chris Cabin, Adam Wingard's breakout, brilliant slasher does at least one thing that, for me, was revelatory: when the masked attackers of an affluent family get cut or hit or worse, they react and are clearly hurt. So we’ve gone over to Metacritic to pick out the best-reviewed films released from 2010 onwards. Our favorite genre had one hell of a decade. The digital landscape hasn’t just changed how we consume film, but how these films are made. –Meagan Navarro, Hailing from Poland, The Lure marries the grim origins of Hans Christian Andersen’s The Little Mermaid with a fevered disco dream awash in a neon haze. – Chris Cabin, If there were any doubts of Rob Zombie's seriousness as a horror filmmaker in his first four films, The Lords of Salem cemented him as one of the most alluringly unhinged artists in the game. At the same time, production companies like Blumhouse and New Line continued to double down on the potential for horror franchise hits with the enduring appeal of IP like Halloween and IT. –Meagan Navarro, THE BEST FILMS IN ACTION, DRAMA, HORROR, AND MORE, Top 25 Horror Movies of the 2010s, artwork by Steven Fiche, David Fincher to make Chinatown prequel for Netflix, 10 Times Lemmy Was the Coolest Man on Earth, 10-Year-Old Nandi Bushell Declares She's a "Total Metalhead", Rocks Slipknot's "Unsainted": Watch, Shia LaBeouf to Enter Rehab for Addiction and Psychological Issues, King Gizzard and the Lizard Wizard Launch Bootleg Program, Kevin Spacey Crawls Out of His Hole to Deliver Another Christmas Eve Video Message, A Perfect Gift Bundle for Your Favorite Pop Culture Fan, These Are the Best Horror Movies Released in 2020, Watch Pixar's New Movie Soul on Disney+ This Christmas, Try a Range of CBD Strains with This Pre-Roll Bundle Deal. A psychedelic and wild overture that seamlessly blends styles and tone, Smoczyńska delivered a profoundly assured and captivating horror musical that makes her one to watch. The film is relentless and grueling, and the roles of predator and prey are in a constant state of revolution as the two find new ways to inflict pain and sabotage each others’ lives. and Himizu offered a double-buck shot of macabre madness, the latter being a tougher, more unsettling work while the former was a blast of inventive nonsense; he follows it up this year with the similarly strange Tokyo Tribe. The ease of production didn’t necessarily mean that those who envisioned and made these films had the scrappy problem-solving abilities that Walter Hill had, or even had the heightened sense of composition that made Carpenter a legend. It’s allowed a slew of innovative, new filmmakers to start making films with a creative intimacy and fearlessness like never before. Backed by a fantastic musical score by Rob, the film can get a bit kitschy at times (particularly the mommy-issue origin of his psychosis), but the absolute ruthlessness of the violence on display steers it clear of any cheese factor. Internationally, France, Mexico, Japan, and Italy have all put out works of stirring fright, films centered on the psychological and supernatural relationship between humans and bodies, their own or those of others. But we did it anyway. As the detective sinks deeper into the case, involving a missing inmate (Emily Mortimer), the battle to find a way off the storm-ravaged island becomes as much external as internal, fighting against the paranoid bureaucracy while attempting to claw out of the gnarled abyss of his own memory and imagination. A complete list of Horror movies in 2010. It's these minor yet resonant bits of attention towards the characters' more tender feelings that makes the film so endearingly odd and oddly heartfelt, even as eruptions of blood and gore (and a few nasty bee stings) become more and more frequent. Reddit. He thinks he finds it in the story of a family of four that’s found dead, hanging from a tree in their backyard. Soon after settling in, Ellison comes across what winds up being one the eeriest parts of the film, home movies documenting the hanging and a handful of other gruesome family murders in different locations. Visit Insider's homepage for more stories; The 2010s was a roller coaster of a decade for film. As for the aliens, Cornish takes the minimalist approach, dishing out dark, shadowy creatures whose defining feature is a nasty set of sharp, glowing teeth. It’s Almodovar, so of course it’s beautiful, but it’s also repulsive as the director puts a pitch-black spin on some of his favorite subjects; identity, intimacy, gender, sexuality, and obsession are all explored in perverse, horrific ways in this nightmarish psychological thriller that refuses to offer easy answers to life's messiest questions. Like Ti West, Zombie puts stress on silence and slight off-kilter movement (see: the lamps swaying from the ceiling in the hallway), punctuated by hallucinatory images of humongous beasts, naked, cackling witches, and a few things that simply defy concise explanation. It's a much bigger deal to his cannibalistic brood, who must now take on his responsibilities of performing family rituals and putting, er, dinner on the table. It’s tease-and-denial without the sexual satisfaction, as Kim allows Kyung-Chul to hunt victim after victim, busting through the door just in time to deny Kyung-Chul his murderous release. From major box office franchise starters to early adopters of the Stephen King renaissance to even the avant-garde and experimental, the 2010s have delivered an embarrassment of riches in horror. In studying, as one character puts it, "men of violence," Scorsese crystalizes centuries of bestial conflict into a kind of psychological funhouse mirror, setting Leonardo Dicaprio's exhausted detective against a series of obstacles when he arrives at the titular prison island for the psychologically disturbed and outright psychotic. Some of the best horror movies of the last ten years have found originality in reworking, rather than remaking, old ideas. - Perri Nemiroff, Darren Aronofsky’s Black Swan is art and horror all tangled up and splashed across the screen in gorgeous, chilling imagery. In his sixth film Kim Jee-Woon proves himself a master craftsman of violence, setting the film in a slightly fantastical version of real world where killers, cannibals and rapists lie around every corner, and where a body can withstand an ungodly onslaught of violence, if only so that violence can continue. It also puts you inside his isolation, his dread, and as you watch horrific kill scene after kill scene, his inability to simply stop. In the 2010s, however, horror has emerged as a dominant force at the box office. 0. Syamoto is weak and troubled while Yukio is successful and tyrannical, and also, as it happens, a brutal murderer, who takes Syamoto's family under-wing and teaches his new best friend how to properly destroy a corpse. The sheer volume of ferocious horror films by bold new voices that debuted this decade is astounding, and this list is a clear reflection of that. The riveting emotional heartbeat carries us through the entire film, straight into the fiery pits of hell. – Chris Cabin, The titular backwater buddies of Tucker & Dale vs. 10 Best Horror Movie Posters Of The 2010s, Ranked. – Chris Cabin, Keep an eye on director Sean Byrne. It's one of those rare ghost tales that uses color with almost percussive attention, most notably in the bright red streaks of the man with the long, sharp nails, but the most eerie part of this story of suburban possession, with Patrick Wilson and Rose Byrne playing parents to a troubled boy, is when the lights go out. Enough looking ahead, though. And it’s an Oscar winner as well.” 5. While horror’s future is robust, now is the time to reflect upon the memorable bone-chilling seeds or terror planted this decade. It just meant that anyone who had a fondness for cheap scares and cheaper effects in the same vein as Sean S. Cunningham could now make something similar with a production budget well under a million. Watching Matt Dillon seamlessly trade one coat for the next —  from reclusive creeps to would-be drill sergeants, dickhead boyfriends to ticking time bombs — warrants the kind of twisted humor that would make Bret Easton Ellis blush. Only a few years in, and this decade is already shaping up to be a classic. Where many of his films feel weighed down by their portentous moral and political quandaries, Cold Fish embeds its critique of modern capitalism and Japanese society in an unhinged and enveloping tale of greed and corrupting bloodlust. Nor does that label quite explain the pangs of romance that begin to bubble up between Labine's character and Katrina Bowden's Allison, the sole college kid who doesn't judge Tucker and Dale straight-off. When the sadistic patriarch of the household, Chris (Sean Bridgers) finds a feral woman (Pollyanna McIntosh) in the woods near their isolated country cottage, he does what any reasonable person would do — kidnaps her and chains her in the cellar. Title Director Cast Country Subgenre/Notes Bloody Doll: Teruyoshi Ishii: Jiro Wang, Zhou Qiqi, Don Li: China: Horror: Bugs: Yan Jia: Xia Zitong, Zhang Zilin, Eric … Take a look at the best horror movies of the decade so far, including Insidious, Sinister, You're Next, and The Conjuring. Share. Whether major theatrical productions or micro-budgeted indies, you don’t have to look far to find stellar genre offerings these days. Whether from South Korea, Canada, or New York City, the best of these films ruminate on that very thought and there are plenty of just such items on our list of the best horror films of this decade so far, which, not unlike the B-movies of old, features more than a few entries that show more ingenuity and artistic spirit than most so-called prestige pictures. "Get Out" topped our list. Hereditary (2018) “Toni Collette’s scream when seeing her daughter made me wish that there was an Oscar category for best scream. The woman’s presence unleashes the barbarousness in them all, and her savagery pales in comparison to the horrors Chris and his teenage son bestow upon her. The Woman wears its gender politics a bit flamboyantly, but with the horror savvy McKee and Ketchum at the wheel, it’s a clever inversion of genre tropes that will have you squirming in your seat. Robin McLeavy delivers stellar work as Lola, a high school outcast who just wants to go to the dance with her dream date, Brent (Xavier Samuel). I recently mentioned this in my review of his second feature, The Devil’s Candy, but it’s a wonder some big studio didn’t snatch him up fast immediately after The Loved Ones hit theaters. Most of her harrowing journey was internal. 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